1
00:00:03,430 --> 00:00:04,230
<i> (announcer)</i>
       <i> IN THE TELEVISION</i>
       <i> COMEDY WORLD,</i>

2
00:00:04,300 --> 00:00:05,870
   <i> THE PEOPLE ARE ENTERTAINED</i>

3
00:00:05,930 --> 00:00:07,670
       <i> BY 2 SEPARATE YET</i>
       <i> EQUALLY IMPORTANT</i>
       <i> TYPES OF SHOWS.</i>

4
00:00:07,740 --> 00:00:10,540
   <i> TRADITIONAL SITCOMS</i>
   <i> THAT GET LAUGHS</i>
   <i> OUT OF EVERYDAY SITUATIONS</i>

5
00:00:10,610 --> 00:00:12,440
     <i> LIKE TRYING TO</i>
     <i> FIX YOUR OWN PLUMBING,</i>

6
00:00:12,510 --> 00:00:14,410
      <i> OR INVITING 2 DATES</i>
      <i> TO THE SAME DANCE.</i>

7
00:00:14,480 --> 00:00:16,940
<i> AND ANIMATED SHOWS</i>
<i> THAT MAKE JOKES ABOUT FARTING.</i>

8
00:00:17,010 --> 00:00:18,480
      <i> THIS IS THE LATTER.</i>

9
00:00:20,780 --> 00:00:22,580
      OH, SORRY.
      I JUST FARTED.

10
00:00:35,600 --> 00:00:36,860
     [inaudible]

11
00:00:36,930 --> 00:00:38,700
        [Glenn mumbling]

12
00:00:55,000 --> 00:00:56,970
   I'M GLAD YOU GUYS
   COULD COME TONIGHT.

13
00:00:57,050 --> 00:01:00,190
         OH, CHRIS, HONEY,
         WE WOULDN'T MISS
         YOUR OPEN HOUSE.

14
00:01:00,260 --> 00:01:03,140
     YOU KIDS ARE
     THE MOST IMPORTANT THING
     IN OUR LIVES.

15
00:01:03,210 --> 00:01:04,670
          OH, MY GOD!
          WE FORGOT MEG.

16
00:01:04,740 --> 00:01:05,860
   DON'T WORRY ABOUT MEG.

17
00:01:05,930 --> 00:01:08,410
     SHE'S GOT EVERYTHING
     SHE NEEDS IN HER ROOM.

18
00:01:16,270 --> 00:01:18,140
[clattering]

19
00:01:20,280 --> 00:01:23,180
 (coach)
 MOST OF THE TIME, THE KIDS'LL
 EXERCISE OUT IN THE FIELD.

20
00:01:23,250 --> 00:01:25,400
       BUT IF IT'S RAINING
       OR I'M HUNG-OVER,

21
00:01:25,460 --> 00:01:27,150
    THEY STAY INSIDE
    AND PLAY DODGE BALL.

22
00:01:27,220 --> 00:01:29,650
     OH, I LOVE DODGE BALL!
     HEADS UP!

23
00:01:31,540 --> 00:01:34,020
 AND THIS WEEK IN HOME EC,
 WE'RE TEACHING YOUR KIDS

24
00:01:34,090 --> 00:01:35,270
      HOW TO MAKE BUNDT CAKE.

25
00:01:35,340 --> 00:01:37,590
     I LOVE BUNDT CAKE!
     HEADS UP!

26
00:01:39,510 --> 00:01:42,360
 (music teacher)
 THE SCHOOL BAND OFFERS
 A WIDE VARIETY OF INSTRUMENTS

27
00:01:42,430 --> 00:01:44,030
       FROM THE KETTLEDRUM
       TO THE TROMBONE.

28
00:01:44,100 --> 00:01:46,070
I LOVE THE TROMBONE!

29
00:01:46,140 --> 00:01:47,150
                    [gasps]

30
00:01:59,180 --> 00:02:00,350
              (all)
              WOW!

31
00:02:00,420 --> 00:02:02,130
 I KNOW,
 ISN'T HE WONDERFUL?

32
00:02:02,200 --> 00:02:03,700
 HE TOOK LESSONS
 IN JUNIOR COLLEGE.

33
00:02:03,770 --> 00:02:04,870
             HEADS UP!

34
00:02:07,910 --> 00:02:09,460
             I LIKE MEETING
             CHRIS'S TEACHERS.

35
00:02:09,530 --> 00:02:10,890
              THIS OUGHT TO BE
              MORE INTERESTING

36
00:02:10,960 --> 00:02:12,830
          THAN THAT TIME I MET
          TED DANSON.

37
00:02:12,890 --> 00:02:15,700
 WOW! TED DANSON
 AND MARY STEENBURGEN!

38
00:02:15,760 --> 00:02:17,710
          HEY, ALWAYS NICE
          TO MEET A FAN.

39
00:02:17,780 --> 00:02:18,920
       [thunder rumbling]

40
00:02:18,980 --> 00:02:20,920
OH, SHOOT!
         I FORGOT MY UMBRELLA.

41
00:02:20,990 --> 00:02:22,690
        THAT'S OK, HONEY.
        COME ON OVER HERE.

42
00:02:22,750 --> 00:02:23,790
                 THANKS, DEAR.

43
00:02:23,860 --> 00:02:25,490
         SOMETIMES IT'S GOOD
         TO BE A FREAK.

44
00:02:25,560 --> 00:02:27,390
        HEY, DO YOU WANT TO
        SLEEP TOGETHER LATER?

45
00:02:27,460 --> 00:02:29,460
                      OH, NO.

46
00:02:29,530 --> 00:02:32,460
               NO, NO.
               THANKS, THOUGH.

47
00:02:32,550 --> 00:02:34,380
      GOOD EVENING, PARENTS.
      I'M MS. CLIFTON.

48
00:02:34,450 --> 00:02:35,980
  I'D LIKE FOR YOU TO FILL OUT

49
00:02:36,050 --> 00:02:37,430
  THESE
  CONTACT INFORMATION SHEETS.

50
00:02:37,500 --> 00:02:39,320
     NOW--NOW, WHO WOULD
LIKE TO PASS THEM OUT?

51
00:02:39,390 --> 00:02:40,470
              OH, OH, OH,

52
00:02:40,540 --> 00:02:42,070
        MS. CLIFTON,
        MS. CLIFTON OVER HERE!

53
00:02:42,140 --> 00:02:44,310
      OH, OH, OH,
      MS. CLIFTON, MS. CLIFTON

54
00:02:44,380 --> 00:02:47,410
     MS. CLIFTON, MS. CLIFTON,
     MS. CLIFTON, MS. CLIFTON

55
00:02:47,480 --> 00:02:50,260
     MS. CLIFTON, MS. CLIFTON,
     MS. CLIFTON, MS. CLIFTON,

56
00:02:50,330 --> 00:02:51,610
     MS. CLIFTON, MS. CLIFTON,

57
00:02:51,680 --> 00:02:53,520
          MMM, MRS. GRIFFIN.

58
00:02:53,590 --> 00:02:55,900
               [groans]

59
00:02:55,970 --> 00:02:59,140
 I-I-I'M SORRY.
 WILL YOU ALL PLEASE EXCUSE ME
 FOR A MOMENT?

60
00:02:59,210 --> 00:03:01,290
           <i> (announcer)</i>
<i> TONIGHT'S WINNING</i>
           <i> LOTTERY NUMBERS ARE</i>

61
00:03:01,360 --> 00:03:04,960
             <i> 6, 21, 18, 7, 42.</i>

62
00:03:05,560 --> 00:03:08,310
    OH, MY GOD! I WON!

63
00:03:08,380 --> 00:03:11,950
 I'M FREE FROM ALL THOSE
 SNOT-NOSED, LITTLE BASTARDS!

64
00:03:12,020 --> 00:03:13,540
         [exclaiming]

65
00:03:13,610 --> 00:03:15,140
            I'M FREE!

66
00:03:15,210 --> 00:03:17,210
     [Ms. Clifton laughing]

67
00:03:18,890 --> 00:03:20,230
       IS SHE COMING BACK?

68
00:03:20,300 --> 00:03:21,530
                I DON'T KNOW.

69
00:03:27,870 --> 00:03:30,090
         I CAN'T BELIEVE
         MS. CLIFTON'S GONE.

70
00:03:30,160 --> 00:03:32,040
         WHO'S GONNA
         TEACH MY CLASS NOW?

71
00:03:32,110 --> 00:03:34,620
       BRIAN, WHY DON'T YOU
       TEACH CHRIS'S CLASS?

72
00:03:34,690 --> 00:03:37,430
YOU'RE VERY KNOWLEDGEABLE,
 THE KIDS MIGHT KNOCK YOU DOWN
 A FEW PEGS

73
00:03:37,500 --> 00:03:38,680
 WHICH WOULD BE GOOD FOR YOU.

74
00:03:38,750 --> 00:03:40,450
 YOU KNOW, THAT IS
 A TERRIFIC IDEA, LOIS.

75
00:03:40,520 --> 00:03:42,400
 I PROBABLY HAVE A LOT
 TO OFFER YOUNG PEOPLE.

76
00:03:42,470 --> 00:03:44,020
      HAH, WHAT'S HE GOING
      TO TEACH THEM?

77
00:03:44,090 --> 00:03:47,000
 HOW TO LICK THE DORITO CRUMBS
 FROM BETWEEN
 THE SOFA CUSHIONS?

78
00:03:47,070 --> 00:03:48,960
 OR HOW TO LEAVE
 A DEAD BIRD ON THE CARPET?

79
00:03:49,020 --> 00:03:50,540
 THAT WAS A GIFT,
 YOU BASTARD.

80
00:03:50,610 --> 00:03:52,560
 THAT WAS A GIFT
 FOR THE FAMILY.

81
00:03:55,550 --> 00:03:58,780
  GOOD MORNING, CLASS.
  I'M YOUR SUBSTITUTE TEACHER,
BRIAN GRIFFIN.

82
00:03:58,850 --> 00:04:01,450
   (all)
   GOOD MORNING, MR. GRIFFIN.

83
00:04:01,520 --> 00:04:03,600
[laughing]
PLEASE, PLEASE, CALL ME BRIAN.

84
00:04:03,670 --> 00:04:05,410
   MR. GRIFFIN IS MY FATHER.

85
00:04:05,470 --> 00:04:07,620
 I THOUGHT YOUR FATHER'S NAME
 WAS COCOA,

86
00:04:07,690 --> 00:04:09,730
        AND HE WAS HIT
        BY A MILK TRUCK!

87
00:04:09,790 --> 00:04:10,940
        ALL RIGHT.
        OUR GOAL HERE

88
00:04:11,010 --> 00:04:12,860
 IS TO GAIN A COMMAND
 OF THE ENGLISH LANGUAGE.

89
00:04:12,930 --> 00:04:14,510
        SO YOU CAN BE
        SUCCESSFUL WRITERS

90
00:04:14,580 --> 00:04:16,420
        LIKE BEN AFFLECK
        AND MATT DAMON.

91
00:04:16,490 --> 00:04:18,030
          AH, THERE. FINISHED.

92
00:04:18,100 --> 00:04:20,740
             <i> GOOD WILL HUNTING</i>
BY MATT DAMON.

93
00:04:20,810 --> 00:04:23,270
 HEY, UH, YOU THINK
 WE COULD PUT BOTH OUR NAMES
 ON THAT?

94
00:04:23,340 --> 00:04:26,140
     WHAT? YOU'VE DONE NOTHING
     BUT EAT BREYER'S
     AND SMOKE POT

95
00:04:26,210 --> 00:04:27,480
        FOR THE LAST 6 MONTHS.

96
00:04:27,550 --> 00:04:30,210
 OH, THAT'S--
 COME ON! I--I HELPED.

97
00:04:30,280 --> 00:04:33,150
       OH, YEAH?
       OK, UH, W-WRITE A LINE.
       JUST--JUST RIGHT NOW.

98
00:04:33,220 --> 00:04:34,650
             JUST PITCH ME
             A LINE RIGHT NOW.

99
00:04:34,720 --> 00:04:35,790
     OK.

100
00:04:35,850 --> 00:04:37,220
          [farts]
 HOW ABOUT THAT?

101
00:04:37,290 --> 00:04:39,590
           THAT WASN'T A LINE.
           YOU JUST FARTED.

102
00:04:39,660 --> 00:04:40,690
IS THERE ANYMORE POT?

103
00:04:43,930 --> 00:04:48,530
        SO, HOW WAS YOUR
        FIRST DAY, MR. KOTTER?

104
00:04:48,600 --> 00:04:51,070
      YEAH, CHRIS.
      WHAT'S IT LIKE TO
      HAVE BRIAN AS A TEACHER?

105
00:04:51,140 --> 00:04:52,290
                     IT SUCKS!

106
00:04:52,350 --> 00:04:55,150
    MR. GRIFFIN GAVE ME AN "F"
    ON MY FIRST ASSIGNMENT!

107
00:04:55,220 --> 00:04:56,990
 WHAT? AN "F", BRIAN?

108
00:04:57,060 --> 00:04:58,790
 AFTER ALL CHRIS
 HAS DONE FOR YOU?

109
00:04:58,860 --> 00:05:02,610
 OH, YEAH. JUST KIND OF
 PULL IT OUT. YEAH.

110
00:05:02,680 --> 00:05:04,380
 YOU KNOW, IF DOGS AREN'T
 SUPPOSED TO EAT

111
00:05:04,450 --> 00:05:05,800
   DENTAL FLOSS
   OUT OF THE GARBAGE,

112
00:05:05,870 --> 00:05:07,280
 WHY DO THEY MAKE IT
 MINT-FLAVORED?

113
00:05:07,370 --> 00:05:08,950
HEY, HEY, CHRIS,
 WHEN I WAS IN SCHOOL,

114
00:05:09,020 --> 00:05:11,550
 YOU KNOW WHAT WE USED TO DO
 WHEN A TEACHER GAVE US
 A BAD GRADE?

115
00:05:11,620 --> 00:05:13,270
                     WHAT?
 WE'D EGG HIS HOUSE.

116
00:05:13,340 --> 00:05:14,760
 COME ON.
 WHERE'S THIS BASTARD LIVE?

117
00:05:14,830 --> 00:05:16,090
         I'LL SHOW YOU.

118
00:05:17,560 --> 00:05:18,730
             THAT'S HIS HOUSE!

119
00:05:18,800 --> 00:05:20,500
        [both laughing]

120
00:05:20,570 --> 00:05:21,900
      TAKE THAT!
                     I GOT IT!

121
00:05:21,970 --> 00:05:23,270
 (Peter)
 TAKE THAT, YOU BUM!

122
00:05:23,350 --> 00:05:24,470
           WHAT THE HELL
           ARE YOU DOING?

123
00:05:24,540 --> 00:05:25,820
  IS THAT HIM?
                    YEAH!

124
00:05:25,890 --> 00:05:27,170
       OH, CRAP!

125
00:05:30,530 --> 00:05:31,670
HELLO, CLASS.

126
00:05:31,740 --> 00:05:34,230
 MARK TWAIN HERE,
 FILLING IN FOR BRIAN GRIFFIN.

127
00:05:34,300 --> 00:05:36,310
     I UNDERSTAND YOU
     CHILDREN READ MY BOOK,

128
00:05:36,380 --> 00:05:38,350
       <i> THE ADVENTURES OF</i>
       <i> HUCKLEBERRY FINN.</i>

129
00:05:38,420 --> 00:05:39,980
       (all)
       YEAH, WE READ IT.

130
00:05:40,050 --> 00:05:42,390
  NOW, WHO CAN TELL ME--
  BOBBY, STOP SCREWING AROUND
  BACK THERE!

131
00:05:42,450 --> 00:05:43,940
        WHO CAN TELL ME
        THE SIGNIFICANCE

132
00:05:44,010 --> 00:05:45,940
      OF THE CARPETBAGGERS
      IN MY NOVEL?

133
00:05:46,010 --> 00:05:48,010
      YEAH. UH, THEY STOOD FOR
      CORRUPTION AND GREED.

134
00:05:48,080 --> 00:05:49,580
      THAT'S EXACTLY RIGHT.

135
00:05:49,640 --> 00:05:52,160
JUST LIKE
        THE PRESIDENCY
        OF JAMES GARFIELD.

136
00:05:52,230 --> 00:05:53,730
         [all laughing]

137
00:05:53,800 --> 00:05:55,000
            HE DIED IN OFFICE.

138
00:05:55,070 --> 00:05:56,700
   YOU KIDS ARE MIGHTY SMART.

139
00:05:56,770 --> 00:05:58,950
    YOU MUST HAVE
    A POWERFUL GOOD TEACHER.

140
00:05:59,020 --> 00:06:02,970
      WELL, I GOTTA CATCH
      MY TIME STEAMBOAT
      BACK TO THE 1800S.

141
00:06:03,640 --> 00:06:05,930
        [feet pattering]

142
00:06:07,060 --> 00:06:09,060
      HEY, SORRY I'M LATE.
      DID I MISS ANYTHING?

143
00:06:09,130 --> 00:06:11,050
        YEAH!
        CAP'N CRUNCH WAS HERE.

144
00:06:11,120 --> 00:06:13,270
         DIDN'T YOU PASS HIM
         ON THE STAIRS?

145
00:06:13,340 --> 00:06:16,070
   WELL,
I HOPE THE REST OF YOU KIDS
   LEARNED SOMETHING TODAY.

146
00:06:16,140 --> 00:06:17,520
             (all)
             YEAH.

147
00:06:17,590 --> 00:06:19,610
      <i> (Sloan)</i>
      <i> GOOD MORNING,</i>
      <i> THIS IS PRINCIPAL SLOAN.</i>

148
00:06:19,670 --> 00:06:21,210
       <i> MR. GRIFFIN,</i>
       <i> YOU'VE BEEN REASSIGNED.</i>

149
00:06:21,280 --> 00:06:22,840
         <i> PLEASE REPORT TO</i>
         <i> REMEDIAL ENGLISH.</i>

150
00:06:22,910 --> 00:06:24,730
     REASSIGNED? CAN--CAN I
     AT LEAST COME DOWN

151
00:06:24,800 --> 00:06:26,650
  TO YOUR OFFICE
  AND TALK TO YOU ABOUT THIS?

152
00:06:26,710 --> 00:06:29,920
       <i> NO, NO, I'M AFRAID</i>
<i> I'M FAR TOO BUSY TODAY.</i>

153
00:06:29,990 --> 00:06:33,250
      ESTEBAN,
      UH, <i> MUCHO</i> TENSION LOWER.

154
00:06:33,940 --> 00:06:36,910
          LITTLE LOWER. LOWER.

155
00:06:37,510 --> 00:06:40,010
              LOWER. LOWER.

156
00:06:40,080 --> 00:06:43,160
           ♪ ON TOP OF
           OLD SMOKEY ♪

157
00:06:43,230 --> 00:06:45,510
  GOSH, I WAS REALLY STARTING
  TO LIKE THIS JOB.

158
00:06:45,580 --> 00:06:47,780
    IT WAS NICE INTERACTING
    WITH INTELLIGENT PEOPLE.

159
00:06:47,850 --> 00:06:49,350
       I USUALLY HANG OUT
       WITH AN IDIOT.

160
00:06:49,420 --> 00:06:50,900
            BRIAN, BRIAN,
            CHECK IT OUT.

161
00:06:50,970 --> 00:06:52,910
        I MADE A WATER SLIDE
        IN THE HOUSE.

162
00:06:52,970 --> 00:06:54,690
[screaming]

163
00:06:55,490 --> 00:06:56,990
                    [groaning]

164
00:06:57,730 --> 00:07:01,800
          [continues groaning]

165
00:07:01,870 --> 00:07:03,370
 I'M NOT GONNA
 CALL THE HOSPITAL

166
00:07:03,440 --> 00:07:06,540
 BECAUSE YOU WON'T
 LEARN ANYTHING IF I DO.

167
00:07:06,610 --> 00:07:08,940
       WELL, KIDS,
       I'LL SEE YOU LATER.

168
00:07:10,310 --> 00:07:13,090
 PARDON ME.
 IS THIS FIRST-PERIOD ENGLISH?

169
00:07:14,510 --> 00:07:17,100
     I'M YOUR NEW TEACHER,
     MRS. LOCKHART.

170
00:07:21,950 --> 00:07:24,790
    OH, MY GOD. I'M IN LOVE.

171
00:07:24,860 --> 00:07:26,790
   WATCH OUT FOR THE STAIRS!

172
00:07:26,860 --> 00:07:28,140
           [screams]

173
00:07:28,210 --> 00:07:29,880
          [crashing]

174
00:07:36,200 --> 00:07:37,570
      GOOD MORNING, CLASS.

175
00:07:37,640 --> 00:07:40,300
  (all)
  GOOD MORNING, MRS. LOCKHART.

176
00:07:40,370 --> 00:07:42,420
I GRADED YOUR QUIZZES
     FROM YESTERDAY.

177
00:07:42,490 --> 00:07:43,970
        MOST OF YOU DID WELL.

178
00:07:44,040 --> 00:07:46,430
       SOME OF YOU,
       I THINK, CAN DO BETTER.

179
00:07:46,490 --> 00:07:48,480
 WHAT DO YOU SEE HERE, CHRIS?

180
00:07:50,500 --> 00:07:51,750
           2 D'S AND AN F.

181
00:07:58,520 --> 00:08:00,120
         [chattering]

182
00:08:02,130 --> 00:08:04,430
 UH, HI. I'M, UH, MR. GRIFFIN.

183
00:08:04,500 --> 00:08:06,130
   BUT YOU CAN CALL ME BRIAN.

184
00:08:06,200 --> 00:08:07,710
  MR. GRIFFIN IS MY FATHER.

185
00:08:07,780 --> 00:08:08,900
          [gun fires]

186
00:08:08,970 --> 00:08:11,080
OH, WELL, HAS, UH,
ANYBODY READ <i> HUCKLEBERRY FINN?</i>

187
00:08:11,150 --> 00:08:12,490
          [gun fires]

188
00:08:12,550 --> 00:08:14,300
     OH, ALL RIGHT, UH,
     HOW ABOUT WE GO AROUND
     THE ROOM

189
00:08:14,370 --> 00:08:16,640
AND EVERYONE CAN SAY
      A LITTLE SOMETHING
      ABOUT THEMSELVES?

190
00:08:16,710 --> 00:08:18,620
    UH, LET'S START WITH
    YOU THERE IN THE FRONT.

191
00:08:18,690 --> 00:08:21,010
      MY NAME'S TIM.
      I'M 28 YEARS YOUNG.

192
00:08:21,080 --> 00:08:22,350
          AND I LOVE WEED.

193
00:08:22,410 --> 00:08:23,760
         MY NAME IS CARLOS.

194
00:08:23,830 --> 00:08:27,630
 AND BENEATH MY TOUGH EXTERIOR
 IS A BOY ACHING TO LEARN.

195
00:08:27,700 --> 00:08:29,500
          AND BENEATH THAT
          IS A RAPIST.

196
00:08:29,570 --> 00:08:32,160
      MY NAME IS AMANDA.
      AND MY WATER JUST BROKE.

197
00:08:32,220 --> 00:08:33,310
         OH, MY GOD!

198
00:08:33,380 --> 00:08:34,590
 YO, IT'S MY TURN TO DELIVER.

199
00:08:34,660 --> 00:08:36,010
 CAN I HAVE THIS ONE?

200
00:08:36,080 --> 00:08:37,980
MY MOM KEEPS
 GIVING MINE AWAY.

201
00:08:40,570 --> 00:08:42,020
      DAD, I NEED SOME ADVICE.

202
00:08:42,080 --> 00:08:44,350
        I NEED TO KNOW HOW TO
        GET A GIRL TO LIKE ME.

203
00:08:44,420 --> 00:08:46,790
     OH, CHRIS, BUDDY,
     THERE'S A MILLION WAYS
     TO DO THAT.

204
00:08:46,860 --> 00:08:49,340
     YOU JUST GOT TO DO
     SOMETHING SIMPLE,
     LIKE VINCENT VAN GOGH.

205
00:08:49,410 --> 00:08:51,980
                 OH, IT'S...
                 WHAT IS THIS?

206
00:08:52,040 --> 00:08:54,410
    IT'S MY EAR.
    DO YOU LIKE IT?

207
00:08:54,480 --> 00:08:55,780
 Y-YOU DON'T--
 YOU DON'T LIKE IT.

208
00:08:55,850 --> 00:08:58,920
              NO, I LIKE IT.
              BUT IT'S JUST...
WHY YOUR EAR?

209
00:08:58,980 --> 00:09:00,420
 BECAUSE I LOVE YOU.

210
00:09:00,490 --> 00:09:03,420
    WELL, AT LEAST
    THIS WILL BE A FUNNY STORY
    TO TELL OUR KIDS SOMEDAY.

211
00:09:03,490 --> 00:09:06,590
 OH, YOU WANT KIDS?
 OH, YIKES.

212
00:09:06,660 --> 00:09:10,960
 UH, I WISH YOU'D TOLD ME THAT
 BEFORE I GOT YOU THIS.

213
00:09:11,030 --> 00:09:12,710
                OH, DID I HEAR
                MY BIG BOY SAY

214
00:09:12,780 --> 00:09:15,220
           HE'S GOT A CRUSH ON
           SOME LUCKY GIRL?

215
00:09:15,280 --> 00:09:17,330
   OH, YOU KNOW, CHRIS,
   I KNEW THIS DAY WOULD COME.

216
00:09:17,400 --> 00:09:18,800
             SO, I BROUGHT YOU
             A CONDOM.

217
00:09:18,870 --> 00:09:21,300
    USE IT WISELY, THOUGH.
IT WASN'T EASY TO OBTAIN.

218
00:09:21,370 --> 00:09:24,190
      [couple moaning]

219
00:09:24,260 --> 00:09:26,160
       (man)
       HEY, WHAT THE HELL
       ARE YOU DOING?

220
00:09:26,230 --> 00:09:27,590
      (woman)
      HEY, GIVE THAT BACK!

221
00:09:27,660 --> 00:09:28,960
            (man)
            OH, MAN!

222
00:09:29,030 --> 00:09:30,060
      (woman)
      NOW, WHERE WERE WE?

223
00:09:30,130 --> 00:09:31,200
         [both moaning]

224
00:09:31,270 --> 00:09:32,800
  (man)
  OH, THIS IS MUCH BETTER.

225
00:09:32,870 --> 00:09:34,550
     CHRIS, HONEY,
     THE WAY TO WIN A GIRL

226
00:09:34,620 --> 00:09:36,840
    IS TO DO SOMETHING
    ROMANTIC AND UNEXPECTED.

227
00:09:36,910 --> 00:09:39,560
 HEY, HEY, REMEMBER
 THE NAKED SPACEMAN, LOIS?

228
00:09:39,620 --> 00:09:42,530
 OH, YEAH. YOU REMEMBER
THE NAKED SPACEMAN.

229
00:09:43,810 --> 00:09:46,230
 ON MY 25TH BIRTHDAY,
 YOUR FATHER SURPRISED ME

230
00:09:46,300 --> 00:09:49,050
 BY SHOWING UP IN NOTHING
 BUT A SPACE HELMET
 AND MOON BOOTS.

231
00:09:49,120 --> 00:09:50,250
        [Lois chuckling]

232
00:09:50,320 --> 00:09:52,270
     IT JUST CAME TO ME.

233
00:09:52,340 --> 00:09:55,000
           YOU WANT SOME TANG,
           MR. SPACEMAN?

234
00:09:55,070 --> 00:09:56,710
     OH, DO I?

235
00:09:58,310 --> 00:09:59,860
    JUST REMEMBER, FAT MAN,

236
00:09:59,930 --> 00:10:02,230
    THOSE JUGS ARE MINE
    UNTIL THE MILK DRIES UP.

237
00:10:02,300 --> 00:10:04,330
THEN YOU CAN HAVE THE REMAINS.

238
00:10:06,880 --> 00:10:09,340
     SO, BASICALLY,
     WHAT ORWELL WAS SAYING

239
00:10:09,400 --> 00:10:11,970
     WAS, "IT'S NOT PERFECT
     BUT I'LL TAKE IT."

240
00:10:12,040 --> 00:10:13,340
ALL RIGHT, MOVING ON--

241
00:10:13,410 --> 00:10:15,440
         (Chris)
         SORRY, I'M LATE,
         MRS. LOCKHART.

242
00:10:15,510 --> 00:10:18,290
     OH, MY GOD, CHRIS!
     WHAT ARE YOU DOING?

243
00:10:18,360 --> 00:10:20,710
         BEING ROMANTIC
         AND UNEXPECTED.

244
00:10:20,780 --> 00:10:22,800
      CHRIS, YOU CAN'T BE
      SO IMPULSIVE.

245
00:10:22,870 --> 00:10:25,720
   PEOPLE HAVE GOTTEN INTO
   A LOT OF TROUBLE THAT WAY.

246
00:10:26,220 --> 00:10:28,290
   UH, MARIE?

247
00:10:28,860 --> 00:10:30,420
                  YEAH, DONNY?

248
00:10:30,490 --> 00:10:31,960
       UM,

249
00:10:32,030 --> 00:10:33,790
 WE CANNOT TELL MOM.

250
00:10:36,830 --> 00:10:39,820
  SO, CHRIS, WHAT'S THE LATEST
  WITH YOUR LITTLE GIRLFRIEND?

251
00:10:39,890 --> 00:10:43,350
OH, I DON'T THINK
MRS. LOCKHART LIKES ME AT ALL.

252
00:10:43,420 --> 00:10:45,860
  MRS. LOCKHART? YOUR TEACHER?

253
00:10:45,920 --> 00:10:47,870
       WHOA! WHOA! WHOA!
       WHOA! WHOA! WHOA!

254
00:10:47,940 --> 00:10:52,340
       WHOA! WHOA! WHOA!
       WHOA! WHOA! WHOA!

255
00:10:52,410 --> 00:10:54,210
       LOIS, THIS IS NOT
       MY BATMAN GLASS.

256
00:10:54,270 --> 00:10:55,580
            PETER,
            ARE YOU LISTENING?

257
00:10:55,650 --> 00:10:57,150
             CHRIS HAS A CRUSH
             ON HIS TEACHER.

258
00:10:57,220 --> 00:10:58,420
             EW, GROSS!

259
00:10:58,470 --> 00:11:00,120
  YOU KNOW WHAT ELSE IS GROSS?

260
00:11:00,190 --> 00:11:01,220
              [farts]

261
00:11:01,290 --> 00:11:03,090
AH, BROKE A DAMN BLOOD VESSEL!

262
00:11:06,760 --> 00:11:08,310
 HOW'S IT COMING, DOG?

263
00:11:08,380 --> 00:11:11,550
        GOD! J-JUST L-LISTEN
TO THIS KID'S REPORT
        ON <i> GREAT EXPECTATIONS.</i>

264
00:11:11,620 --> 00:11:14,450
    "MISS HAVISHAM SHOULD HAVE
    THROWED THAT CAKE OUT

265
00:11:14,520 --> 00:11:17,600
           SO IT DON'T LIKE
           MESS ALL UP
           THE BITCH'S HOUSE."

266
00:11:17,660 --> 00:11:19,540
            I--I--I DON'T KNOW
            WHAT TO DO,

267
00:11:19,610 --> 00:11:21,470
       YOU KNOW? SOCIETY'S
       GIVEN UP ON THESE KIDS.

268
00:11:21,540 --> 00:11:23,710
         AND I FEEL LIKE
         I MAY BE THE ONLY ONE
         WHO CAN HELP THEM.

269
00:11:23,780 --> 00:11:26,180
 AND I THINK YOUR PROBLEM IS
 YOU'RE NOT COMMUNICATING
 IN A WAY

270
00:11:26,250 --> 00:11:27,580
THAT SPEAKS TO
 THEIR EXPERIENCE.

271
00:11:27,650 --> 00:11:28,850
 YOU KNOW WHAT YOU SHOULD DO?

272
00:11:28,920 --> 00:11:30,830
 GET IN THERE TOMORROW
 AND DO THE ROBOT.

273
00:11:30,900 --> 00:11:32,720
       <i> ♪[music playing]</i>

274
00:11:35,120 --> 00:11:38,410
  WOW. YOU KNOW, YOU'RE RIGHT.
  MAYBE I SHOULD JUST TRY
  A WHOLE NEW APPROACH.

275
00:11:38,480 --> 00:11:39,590
             THANKS.

276
00:11:39,660 --> 00:11:41,980
             <i> ♪[music playing]</i>

277
00:11:42,050 --> 00:11:43,550
    OK, YOU CAN STOP THAT NOW.

278
00:11:43,620 --> 00:11:45,280
       I CAN'T HEAR YOU.
       I'M A ROBOT.

279
00:11:45,350 --> 00:11:47,450
        COME ON, KNOCK IT OFF.
 DOES NOT COMPUTE.

280
00:11:47,520 --> 00:11:48,990
    [beeps]

281
00:11:49,050 --> 00:11:50,450
             I'M GOING TO BED.

282
00:11:50,520 --> 00:11:52,010
 I DO NOT REQUIRE SLEEP.

283
00:11:52,070 --> 00:11:54,790
[whirrs]

284
00:11:54,860 --> 00:11:58,280
     OH, LET'S SEE THE KID
     WITH THE HEARING AID
     FROM <i> BARNEY</i> DO THIS.

285
00:12:01,170 --> 00:12:03,400
  ALL RIGHT, ALL RIGHT,
  SO'S I'M CHILLING IN VERONA

286
00:12:03,470 --> 00:12:05,100
 WHEN MY HOMIE BUSTS OUT WITH:

287
00:12:05,170 --> 00:12:06,450
          "YO, ROMEO.

288
00:12:06,520 --> 00:12:09,040
       CHECK OUT
       THAT BIOTCH JULIET
       IN THE WINDOW."

289
00:12:09,110 --> 00:12:11,740
   PROBLEM IS,
   JULIET'S PEEPS ARE, LIKE,
   EAST COAST RAPPERS

290
00:12:11,810 --> 00:12:14,710
    AND MY POSSE'S
    REPRESENTING WEST SIDE.

291
00:12:14,780 --> 00:12:16,360
     JUST LIKE MY BOYS
     TUPAC AND BIGGIE.

292
00:12:16,430 --> 00:12:18,100
 KNOW WHAT I'M SAYING?

293
00:12:18,170 --> 00:12:19,400
THAT'S RACIST, MAN.

294
00:12:19,470 --> 00:12:21,200
    YEAH, THAT'S JUST
    STRAIGHT IGNORANT, DOG.

295
00:12:23,070 --> 00:12:25,250
        IT'S GOOD TO MEET YOU,
        MR. AND MRS. GRIFFIN.

296
00:12:25,320 --> 00:12:27,310
   WELL, WE WANTED TO
   TALK TO YOU ABOUT OUR SON.

297
00:12:27,380 --> 00:12:28,390
                YOU SEE,
                CHRIS REALLY--

298
00:12:28,460 --> 00:12:29,880
 L-L-L-LOIS--LOIS, HONEY,

299
00:12:29,940 --> 00:12:32,160
 LET'S, UH, MAKE SURE
 WE DO THIS DELICATELY,
 ALL RIGHT?

300
00:12:32,230 --> 00:12:35,710
 MRS. LOCKHART, OUR SON

301
00:12:35,780 --> 00:12:38,650
  WOULD LIKE TO PLOW YOU.

302
00:12:39,700 --> 00:12:42,450
    I HAD A FEELING
    THAT'S WHAT WAS GOING ON.

303
00:12:42,520 --> 00:12:44,610
  SORRY. OUR--OUR SON CAN
SOMETIMES BE A BOOB.

304
00:12:44,680 --> 00:12:45,870
 I-I MEAN A MELON.

305
00:12:45,940 --> 00:12:48,340
 I-I MEAN,
 A-A SOPPING-WET PAIR
 OF BREASTS

306
00:12:48,410 --> 00:12:50,410
 BARELY COVERED BY
 A RACING T-SHIRT.
                      PETER.

307
00:12:50,480 --> 00:12:52,480
                MRS. LOCKHART,
                WE JUST WANTED
                YOU TO KNOW

308
00:12:52,550 --> 00:12:55,240
      SO YOU COULD
      SPARE HIS FEELINGS
      AND LET HIM DOWN GENTLY.

309
00:12:55,300 --> 00:12:58,120
      DON'T WORRY.
      I KNOW EXACTLY
      WHAT TO SAY TO CHRIS.

310
00:12:58,190 --> 00:12:59,520
      THANK YOU SO MUCH.

311
00:12:59,590 --> 00:13:01,660
       YOU'VE BEEN
       VERY UNDERSTANDING.

312
00:13:03,250 --> 00:13:05,110
 GOSH. YOU KNOW,
I-I DON'T MEAN TO IMPOSE,

313
00:13:05,180 --> 00:13:06,980
  BUT DO YOU HAVE
  A PICTURE OF YOURSELF

314
00:13:07,050 --> 00:13:09,680
 THAT I COULD TAPE
 TO THE BACK OF LOIS'S HEAD?

315
00:13:09,750 --> 00:13:11,550
      [crickets chirping]

316
00:13:12,900 --> 00:13:14,690
      [rapping on window]

317
00:13:17,330 --> 00:13:18,640
    MRS. LOCKHART?

318
00:13:18,710 --> 00:13:21,310
        CHRIS, COME DOWN HERE.
        I NEED TO TALK TO YOU.

319
00:13:22,130 --> 00:13:23,730
   WHY ARE YOU HERE?

320
00:13:23,800 --> 00:13:26,400
       'CAUSE I COULDN'T STAND
       TO BE AWAY FROM YOU
       FOR ANOTHER MOMENT.

321
00:13:26,470 --> 00:13:29,070
           I THINK I'M FALLING
           IN LOVE WITH YOU.

322
00:13:29,140 --> 00:13:30,470
     I LOVE YOU, TOO!

323
00:13:30,540 --> 00:13:32,810
             THE ONLY PROBLEM
IS I'M MARRIED.

324
00:13:32,870 --> 00:13:35,520
 THEREFORE,
 THERE'S ONLY ONE THING TO DO.

325
00:13:35,590 --> 00:13:38,510
 UM, MAKE A FLIP BOOK
 OF A STICK FIGURE

326
00:13:38,580 --> 00:13:40,610
 WHOSE HEAD GETS
 BIGGER AND BIGGER

327
00:13:40,680 --> 00:13:42,420
 AND BIGGER AND THEN POPS?

328
00:13:44,020 --> 00:13:45,590
           THIS ISN'T
           A FLIP BOOK, CHRIS.

329
00:13:45,650 --> 00:13:47,190
         THEY'RE INSTRUCTIONS.

330
00:13:47,260 --> 00:13:48,870
              IF WE'RE GOING
              TO BE TOGETHER,

331
00:13:48,940 --> 00:13:51,460
              I NEED YOU TO
              KILL MY HUSBAND.

332
00:13:51,510 --> 00:13:52,790
           [screaming]

333
00:13:52,840 --> 00:13:56,050
   HEY, DO YOU HAVE ANY IDEA
   WHAT TIME IT IS?

334
00:13:56,110 --> 00:13:57,580
    GET IN THE HOUSE, FATTY!

335
00:14:04,240 --> 00:14:05,500
[doorbell rings]

336
00:14:05,570 --> 00:14:08,310
 OH, CHRIS,
 YOU BIG BEAUTIFUL MAN,

337
00:14:08,380 --> 00:14:11,160
 OH, I'M SO GLAD YOU CAME.

338
00:14:11,230 --> 00:14:13,110
  UP THE STAIRS,
  SECOND DOOR ON THE LEFT.

339
00:14:13,180 --> 00:14:14,630
 HE SHOULD STILL BE ASLEEP.

340
00:14:14,700 --> 00:14:17,170
            MRS. LOCKHART,
            I DON'T THINK
            I CAN DO THIS.

341
00:14:17,240 --> 00:14:18,280
             WHAT?

342
00:14:18,350 --> 00:14:20,000
           M-MAYBE YOU COULD
           JUST GET A DIVORCE,

343
00:14:20,070 --> 00:14:22,370
    AND WE COULD LIVE TOGETHER
    IN THE FORT UNDER MY BED.

344
00:14:22,440 --> 00:14:25,530
 FINE. I'LL DO IT MYSELF.
 BUT WE'RE THROUGH.

345
00:14:25,590 --> 00:14:27,880
        OK. BUT I GOT TO
GIVE YOU THE PASSWORD,

346
00:14:27,950 --> 00:14:29,410
          OR YOU CAN'T
          GET INTO THE FORT.

347
00:14:29,480 --> 00:14:30,510
          [door slams]

348
00:14:30,580 --> 00:14:32,480
           IT'S TACO. TACO!

349
00:14:35,440 --> 00:14:37,670
     OH, GOOD GOD! LOOK AT
     THE FAT MAN'S UNDERWEAR.

350
00:14:37,740 --> 00:14:39,560
   IT LOOKS LIKE
   A JACKSON POLLOCK PAINTING.

351
00:14:39,620 --> 00:14:41,040
        DON'T PUT THAT IN
        WITH MY THINGS!

352
00:14:41,110 --> 00:14:42,480
 HUH, WHAT'S THIS?

353
00:14:42,540 --> 00:14:43,740
 YOU KNOW, STEWIE,

354
00:14:43,810 --> 00:14:46,310
MOMMY DOESN'T USUALLY READ
THINGS OUT OF CHRIS'S POCKETS.

355
00:14:46,380 --> 00:14:47,880
 SHE'S MORE RESPECTFUL
 THAN THAT.

356
00:14:47,950 --> 00:14:50,050
      YEAH, WHATEVER HELPS YOU
      SLEEP AT NIGHT, BITCH.

357
00:14:50,120 --> 00:14:52,850
OH, OH, MY GOD!
    OH, MY GOD!

358
00:14:52,920 --> 00:14:55,400
 CHRIS IS GONNA MURDER
 MRS. LOCKHART'S HUSBAND!

359
00:14:55,470 --> 00:14:57,240
 W-WE GOT TO STOP HIM!

360
00:14:57,310 --> 00:14:59,010
       HEY, CAN WE STOP AT
       THE SUPERMARKET?

361
00:14:59,080 --> 00:15:01,780
  I WANT A GRANNY SMITH APPLE.
  AH!

362
00:15:05,020 --> 00:15:06,920
 HOW'S YOUR OATMEAL, HONEY?

363
00:15:06,990 --> 00:15:09,720
   YOU KNOW,
   IT TASTES KIND OF
   DIFFERENT THAN USUAL.

364
00:15:10,920 --> 00:15:13,320
 OH, MY GOD!
 THERE'S A BEAR IN MY OATMEAL.

365
00:15:14,840 --> 00:15:16,690
    [Mr. Lockhart screaming]

366
00:15:16,760 --> 00:15:18,260
         [bear roaring]

367
00:15:22,430 --> 00:15:24,050
        [all chattering]

368
00:15:24,120 --> 00:15:25,880
       [sighing]
       YEAH, I KNOW. I'M LATE.

369
00:15:25,950 --> 00:15:27,750
OK, LET'S JUST GET STARTED.

370
00:15:32,880 --> 00:15:36,080
       HEY, YO, MAN,
       WHAT'S THAT THING
       IN THE MIDDLE?

371
00:15:36,150 --> 00:15:37,400
     WHAT, THIS?

372
00:15:37,470 --> 00:15:39,400
 [scoffs]
 YOU GOT TO BE
 FREAKING KIDDING ME.

373
00:15:39,470 --> 00:15:40,720
 THAT'S AN AMPERSAND.

374
00:15:40,790 --> 00:15:42,580
 IT'S A SYMBOL FOR
 THE WORD "AND."

375
00:15:42,650 --> 00:15:44,940
   MY GOD,
   NOBODY CAN BE THIS STUPID.

376
00:15:45,010 --> 00:15:47,070
     N-N-NOT EVEN PETER
     WHEN HE TOOK THAT BLOW
     TO THE HEAD

377
00:15:47,140 --> 00:15:49,170
    AND THOUGHT HE WAS LARRY
    FROM <i> THREE'S COMPANY.</i>

378
00:15:49,240 --> 00:15:51,930
 JACK, THERE'S A HOT TUB PARTY
 ACROSS THE STREET
 AND WE'RE INVITED.

379
00:15:52,000 --> 00:15:53,900
OH, AND DON'T WORRY.
 IF MR. FURLEY COMES BY,

380
00:15:53,960 --> 00:15:55,400
 I'LL MAKE SURE
 HE THINKS YOU'RE...

381
00:15:55,470 --> 00:15:56,520
       ♪[humming]

382
00:15:56,570 --> 00:15:58,630
              YO, MR. GRIFFIN,
              CHILLAX.

383
00:15:58,700 --> 00:16:00,240
              WE'RE DOING
              THE BEST WE CAN.

384
00:16:00,300 --> 00:16:03,420
    THERE IS NOTHING
    I WOULD LIKE TO DO MORE
    THAN CHILLAX, AMANDA.

385
00:16:03,490 --> 00:16:04,840
        BUT W-WITHOUT
        A DECENT EDUCATION,

386
00:16:04,910 --> 00:16:06,530
     YOU COULD SPEND
     THE REST OF YOUR LIFE

387
00:16:06,590 --> 00:16:08,860
  AS A DITCH DIGGER
  OR A MOTEL MAID OR A HOOKER.

388
00:16:08,930 --> 00:16:10,210
   I COULD BE A DITCH DIGGER?

389
00:16:10,280 --> 00:16:11,530
A MOTEL MAID?

390
00:16:11,600 --> 00:16:12,780
      I COULD BE A HOOKER?

391
00:16:12,870 --> 00:16:14,950
  W-W-WELL, NO. YOU DON'T WANT
  TO BE A HOOKER.

392
00:16:15,020 --> 00:16:16,870
 WOW, MR. GRIFFIN!
 YOU'RE THE FIRST TEACHER

393
00:16:16,940 --> 00:16:18,620
 THAT EVER TOLD US
 WE COULD DO ANYTHING.

394
00:16:18,690 --> 00:16:21,670
   WELL, I-I-I DIDN'T MEAN
   SELL YOUR BODY FOR MONEY.

395
00:16:21,740 --> 00:16:23,060
   "O, CAPTAIN! MY CAPTAIN!"

396
00:16:23,130 --> 00:16:24,690
      NO, YOU'RE ACTUALLY
      MISUNDERSTANDING.

397
00:16:24,760 --> 00:16:25,930
   "O, CAPTAIN! MY CAPTAIN!"

398
00:16:26,000 --> 00:16:27,530
   WELL, IF IT WORKS FOR YOU,
   I GUESS...

399
00:16:27,600 --> 00:16:28,930
   "O, CAPTAIN! MY CAPTAIN!"

400
00:16:29,020 --> 00:16:31,030
    WHAT THE HELL?
    BE THE BEST DAMN HOOKER
YOU CAN BE.

401
00:16:31,100 --> 00:16:32,570
   "O, CAPTAIN! MY CAPTAIN!"

402
00:16:32,640 --> 00:16:35,050
  IN YOUR CASE,
  I'D GET THE MONEY UP FRONT.

403
00:16:36,620 --> 00:16:38,020
                    [mumbling]

404
00:16:40,090 --> 00:16:43,430
 JACK, TWINS!
 SWEDISH. MY PLACE. NOW.

405
00:16:46,520 --> 00:16:47,530
   [screaming]

406
00:16:47,600 --> 00:16:48,920
 OH, WE'RE TOO LATE!

407
00:16:48,990 --> 00:16:52,390
  OH, MY GOD. OH, MY GOD.
  OK, I GOTTA CALL THE POLICE.

408
00:16:52,460 --> 00:16:53,540
            [grunts]

409
00:16:53,610 --> 00:16:55,370
     [sniffing]
     OH, WHAT'S THAT SMELL?

410
00:16:55,440 --> 00:16:57,380
      OH, DEAD BODY, RIGHT.
      THAT'S WHAT THAT IS.

411
00:16:57,450 --> 00:16:59,380
    MMM, I JUST HAD A DREAM
    I WAS AN EGG,

412
00:16:59,450 --> 00:17:02,300
    AND I WAS BEING HATCHED
    BY ELISABETH HASSELBECK.

413
00:17:02,370 --> 00:17:05,870
AH, NO, WAIT A MINUTE.
      I CAN'T CALL THE POLICE.

414
00:17:05,950 --> 00:17:08,640
 I HAVE TO GET RID
 OF THIS BODY,
 OR CHRIS'LL GO TO PRISON!

415
00:17:08,710 --> 00:17:11,170
  AND WE ALL KNOW WHAT HAPPENS
  IN THOSE PRISON SHOWERS.

416
00:17:11,240 --> 00:17:12,370
         I'VE SEEN OZ.

417
00:17:12,440 --> 00:17:14,240
      ♪ SCRUB SCRUB HERE,
      SCRUB SCRUB THERE ♪

418
00:17:14,310 --> 00:17:16,050
     ♪ WHETHER YOU'RE WHITE
     OR BRONZE ♪

419
00:17:16,110 --> 00:17:20,080
♪ A MAN CAN WASH ANOTHER MAN
IN THE MERRY OLD LAND OF OZ ♪

420
00:17:24,540 --> 00:17:25,740
        [car door shuts]

421
00:17:25,810 --> 00:17:27,340
 ALL RIGHT,
 WAIT HERE, STEWIE,

422
00:17:27,410 --> 00:17:29,510
 WHILE MOMMY GETS
 THE CEMENT BLOCKS.

423
00:17:30,180 --> 00:17:31,210
[gasps]

424
00:17:34,380 --> 00:17:35,480
 EVERYTHING ALL RIGHT HERE?

425
00:17:35,550 --> 00:17:37,870
YEAH, FINE, OFFICER.
JUST, UH, ENJOYING THE SUNSET.

426
00:17:37,940 --> 00:17:39,940
          NO LAW AGAINST THAT,
          IS THERE?

427
00:17:40,000 --> 00:17:41,320
 WHAT HAPPENED TO YOUR SHIRT?

428
00:17:41,390 --> 00:17:42,570
                [laughing]
                OH, YOU KNOW,

429
00:17:42,640 --> 00:17:44,090
           JUST A PIZZA PARTY
           AT THE OFFICE.

430
00:17:44,160 --> 00:17:45,540
 OH, YEAH? WHERE DO YOU WORK?

431
00:17:45,630 --> 00:17:48,080
    FIRST FIDELITY INSURANCE
    OVER ON WABOSSETTE STREET.

432
00:17:48,150 --> 00:17:49,760
  MY COUSIN, ARNIE,
  WORKS OVER THERE.

433
00:17:49,830 --> 00:17:51,380
      OH, ARNIE'S YOUR COUSIN,
      IS HE?

434
00:17:51,450 --> 00:17:53,130
YOU KNOW HIM?
                UH, SOMEWHAT.

435
00:17:53,200 --> 00:17:55,870
  GOOD MIDDLE-MANAGEMENT TYPE.
  JUST BLENDS IN WITH
  THE FURNITURE THERE.

436
00:17:55,940 --> 00:17:57,770
         NEVER REALLY WOWED
         ANYONE AT THE OFFICE.

437
00:17:57,840 --> 00:17:59,910
 YEAH, THAT'S ALWAYS
 BEEN ARNIE'S PROBLEM.

438
00:17:59,970 --> 00:18:01,010
 WELL, TAKE IT EASY.

439
00:18:01,080 --> 00:18:02,260
   YES, YES, YOU TOO, YOU TOO.

440
00:18:02,330 --> 00:18:04,230
    OH, AND, UH,
    IF YOU SEE ARNIE TELL HIM,

441
00:18:04,300 --> 00:18:05,440
          [gibbering]

442
00:18:05,510 --> 00:18:07,250
     HE'LL KNOW WHAT IT MEANS.

443
00:18:13,340 --> 00:18:14,420
             YOU KNOW WHAT
             I HATE?

444
00:18:14,490 --> 00:18:15,760
               A GUY IN
A BLUE SUIT.

445
00:18:15,820 --> 00:18:16,890
                           OH!

446
00:18:16,960 --> 00:18:18,020
                [inhaling]

447
00:18:18,090 --> 00:18:20,930
  THERE'S ONE RIGHT BEHIND ME,
  ISN'T THERE?

448
00:18:22,280 --> 00:18:24,260
          YOU KNOW, LOIS,
          CHRIS IS COOL
          AND EVERYTHING,

449
00:18:24,330 --> 00:18:25,930
      BUT, UH, SINCE HE
      KILLED THAT GUY, UH,

450
00:18:26,000 --> 00:18:28,500
     I DON'T KNOW.
     MAYBE HE SHOULDN'T BE
     LIVING WITH US HERE NOW.

451
00:18:28,570 --> 00:18:29,600
            PETER, I'M SCARED.

452
00:18:29,670 --> 00:18:31,200
           DON'T WORRY,
           SWEETHEART.

453
00:18:31,270 --> 00:18:33,340
   YOU'LL HAVE PLENTY OF TIME
   TO ESCAPE WHILE
HE'S KILLING MEG.

454
00:18:33,410 --> 00:18:35,010
          HE HATES HER
          THE MOST.

455
00:18:35,080 --> 00:18:37,080
    HEY, EVERYBODY.
    WHAT'S FOR DINNER?

456
00:18:37,150 --> 00:18:38,340
   I'M STARVING.

457
00:18:38,410 --> 00:18:40,710
     MY GOD, HIS BLOOD LUST
     IS UNQUENCHABLE!

458
00:18:40,780 --> 00:18:42,650
   HEY, CHRIS, WHY DON'T YOU
   TAKE YOUR SISTER

459
00:18:42,720 --> 00:18:44,030
        INTO THE KITCHEN
        FOR A SANDWICH?

460
00:18:44,100 --> 00:18:45,130
  I DON'T WANT TO DIE!

461
00:18:45,200 --> 00:18:46,320
        [crashing]

462
00:18:46,390 --> 00:18:48,390
WHY IS EVERYBODY ACTING WEIRD?

463
00:18:48,460 --> 00:18:50,110
         CHRIS, HONEY,
         WE KNOW WHAT YOU DID.

464
00:18:50,170 --> 00:18:52,840
    AND I HAVE TO SAY,
    HONESTLY, I DON'T APPROVE.

465
00:18:52,910 --> 00:18:54,210
      WHAT I DID?

466
00:18:54,280 --> 00:18:57,650
OH, THAT I LIED ABOUT MY AGE
  TO GET INTO INDIAN BINGO?

467
00:18:57,720 --> 00:18:59,320
           UH, NO.

468
00:18:59,380 --> 00:19:01,930
           THAT I HAD HARD GAS
           AND POOED MYSELF?

469
00:19:02,000 --> 00:19:03,140
    CLOSE, BUT STILL NO.

470
00:19:03,200 --> 00:19:04,220
        HOW IS THAT CLOSE?

471
00:19:04,290 --> 00:19:05,400
     FOR GOD'S SAKE, CHRIS!

472
00:19:05,470 --> 00:19:06,720
    YOU MURDERED MR. LOCKHART!

473
00:19:06,790 --> 00:19:08,460
        WHAT? NO, I DIDN'T!

474
00:19:08,530 --> 00:19:10,960
 OH, COME ON, CHRIS.
 EVERYBODY'S DONE SOMETHING
 THEY'RE NOT PROUD OF.

475
00:19:11,030 --> 00:19:12,590
  LIKE WHEN I USED
  TO BE A WONDER TWIN.

476
00:19:12,660 --> 00:19:15,710
         PETER,
         THE OLD SCHOOLHOUSE
         IS ON FIRE! LET'S GO!

477
00:19:15,780 --> 00:19:17,670
 (both)
WONDER TWIN POWERS, ACTIVATE!

478
00:19:17,740 --> 00:19:19,300
               FORM OF A HAWK!

479
00:19:20,490 --> 00:19:21,700
               COME ON, PETER.

480
00:19:21,770 --> 00:19:24,040
 YEAH,
 I'LL BE RIGHT BEHIND YOU.

481
00:19:24,110 --> 00:19:26,990
 SHAPE OF JAYNA'S TAMPON.

482
00:19:31,220 --> 00:19:34,450
      (Peter)
      AND NOW I PLAY
      THE WAITING GAME.

483
00:19:34,520 --> 00:19:36,020
        CHRIS, I SAW THE BODY.

484
00:19:36,090 --> 00:19:37,850
         PREMEDITATED MURDER
         IS ONE THING,

485
00:19:37,920 --> 00:19:39,960
       BUT I WILL NOT HAVE
       LYING IN THIS HOUSE.

486
00:19:40,040 --> 00:19:41,160
       WAIT, WAIT,
       HOLD IT, HOLD IT,

487
00:19:41,230 --> 00:19:43,030
     CAN WE FINISH THIS
     AFTER <i> JOAN OF ARCADIA?</i>

488
00:19:43,110 --> 00:19:44,730
OH, IS <i> JOAN OF ARCADIA</i> ON?

489
00:19:44,800 --> 00:19:46,030
                    ALL RIGHT.

490
00:19:46,100 --> 00:19:48,330
        MUST BE GOOD.
        ENJOYABLE PROGRAM.

491
00:19:48,400 --> 00:19:49,620
  <i> WE INTERRUPT THIS BROADCAST</i>

492
00:19:49,680 --> 00:19:51,420
     <i> TO BRING YOU</i>
     <i> A BREAKING NEWS STORY.</i>

493
00:19:51,490 --> 00:19:54,200
       <i> WE APOLOGIZE TO</i>
       JOAN OF ARCADIA'S
       <i> SANCTIMONIOUS,</i>

494
00:19:54,270 --> 00:19:56,420
  <i> FEAR-BASED AND</i>
  <i> PROBABLY OVERWEIGHT VIEWERS.</i>

495
00:19:56,470 --> 00:19:58,810
 THAT'S RIGHT, DIANE.
 IT APPEARS RONALD LOCKHART

496
00:19:58,880 --> 00:20:00,810
 HAS BEEN BRUTALLY MURDERED
 BY HIS WIFE,

497
00:20:00,880 --> 00:20:02,280
LANA, AND A LOCAL BEAR.

498
00:20:02,350 --> 00:20:04,330
         WELL, I'LL BE DAMNED.

499
00:20:04,400 --> 00:20:06,330
        CHRIS, I GUESS
        WE OWE YOU AN APOLOGY.

500
00:20:06,400 --> 00:20:07,630
            THAT'S OK.

501
00:20:07,700 --> 00:20:10,640
I JUST WONDER WHAT HAPPENED
TO MS. LOCKHART AND THAT BEAR.

502
00:20:10,690 --> 00:20:13,410
     THE WHEREABOUTS
     OF THESE SUSPECTS
     ARE CURRENTLY UNKNOWN.

503
00:20:13,470 --> 00:20:14,760
      [crickets chirping]

504
00:20:14,830 --> 00:20:16,030
 YOU READY?

505
00:20:16,090 --> 00:20:17,610
                  WHAT'S THAT?

506
00:20:17,680 --> 00:20:19,750
 I THOUGHT WE'D TRY
 THAT LOBSTER PLACE
 WE PASSED IN THE CAR.

507
00:20:19,810 --> 00:20:21,780
 YEAH, CAN I JUST, UH,
 FINISH WATCHING THIS?

508
00:20:21,850 --> 00:20:24,250
   YOU CAN WATCH T.V. ANYTIME.
I'M STARVING.

509
00:20:24,320 --> 00:20:26,250
 LANA, THIS IS GONNA BE
 A REAL LONG TRIP

510
00:20:26,320 --> 00:20:28,320
 IF YOU DON'T
 KNOCK OFF THE CRAP!

511
00:20:30,360 --> 00:20:31,790
        LOVE YOU.


